Harold Rhéaume: Mastering the Art of Creating Meaningful Experiences
Harold Rhéaume, a distinguished figure in the dance community, recently faced significant existential questions regarding his artistry. With over two decades of experience, the founder of Le fils d’Adrien danse pondered his motivations: What is the role of artists? Does he still have the desire to dance? Should he explore a different career path deemed “essential”? After deep reflection, Rhéaume returned to his studio, prompting a transformative decision regarding his creative process.
Creating Meaningful Experiences through Dance
In his new production, titled Sens, Rhéaume emphasizes reconnection with the audience. This desire became the foundation of the show as he aims to engage spectators actively. To facilitate this, the performance is structured around cultural mediation activities. During these exchanges, artists interacted with around twenty participants of all ages, showcasing their work in various locations including Quebec, Baie-Comeau, Bic, and Sainte-Geneviève, and even internationally in France.
Innovative Performance Design
Sens is staged in a 360º format, enhancing the viewer’s proximity to the dancers. This 70-minute performance actively involves the audience, inviting them to immerse themselves directly in the experience. Dancers will greet and engage with spectators upon their arrival, breaking the conventional “fourth wall.” Rhéaume is dedicated to ensuring that no viewer feels passively observant; instead, he aims for everyone to feel a deep connection with the choreography.
The Team Behind Sens
For this innovative project, Rhéaume collaborates with four talented performers: Gabrielle Desgagnés, Geneviève Duong, Étienne Lambert, and Nelly Paquentin. Collectively, they strive to create an inclusive atmosphere where spectators can relinquish traditional expectations of performances. Rhéaume acknowledges that Sens may challenge conventional ways of viewing dance, but he believes this encounter encourages a profound release. As he shared, “For many people, such a letting go often happens at the beginning.”
The importance of consent is paramount in this interactive environment. Audience members are encouraged to engage with the performers but are not obligated to respond if approached. Many participants expressed a desire to join in on the dance or sing along during creative residencies—an indication of the impactful dialogue Rhéaume looks to inspire.
Embarking on the Experience
With Sens, Rhéaume aspires for both artists and the audience to create a shared energy. He encourages onlookers to let go of the urge to analyze the performance intellectually. Instead, he invites them to surrender to the experience and embrace its emotional richness. As he concluded, “It’s by letting go of the urge to understand everything intellectually that we can grasp other profound aspects.”
Sens will take place on October 15, 16, and 17 at the Multi Hall of the Méduse cooperative. For further information, visit Emegypt.
