David Lynch Calls Killer Band’s Sound ‘Dogs on PCP’

Renowned filmmaker David Lynch has long been celebrated for his deep appreciation of music, a passion that seamlessly intertwines with his cinematic vision. From memorable sequences featuring powerful musical performances in his films to his own ventures in music, Lynch’s artistic footprint encompasses a rich tapestry of sound.

Musical Elements in Lynch’s Films

Lynch’s cinematic works are filled with striking musical moments. Notable examples include Dean Stockwell’s memorable lip-sync to Roy Orbison in *Blue Velvet* and Rebekah Del Rio’s haunting rendition of ‘Crying’ in *Mulholland Drive*. The theme song of *Twin Peaks*, composed by Lynch’s collaborator Angelo Badalamenti, remains iconic, setting the tone for the series’ dark, complex narratives.

David Lynch’s Musical Ventures

In addition to filmmaking, Lynch explored music with the album *BlueBOB*, created in collaboration with John Neff in 2001. This project emerged from Lynch’s fascination with industrial rock, a genre he previously delved into with the soundtrack of *Lost Highway*, which featured Nine Inch Nails.

BlueBOB: An Innovative Sound Experience

*BlueBOB* is characterized by its haunting allure and mesmerizing soundscapes. Some standout tracks, such as ‘Go Get Some’ and ‘Mountains Falling’, were later included in the *Mulholland Drive* soundtrack. Lynch described this album as a manifestation of his love for machines, expressing a desire for beats that carry intense, visceral feelings—“like dogs on PCP.”

• Track Highlights:
  • ‘Go Get Some’
  • ‘Mountains Falling’
  • ‘Bad Night’
  • ‘City of Dreams’

The haunting quality of tracks like ‘Bad Night’ features a slow, heavy rhythm amalgamated with western-inspired guitar riffs. Meanwhile, ‘City of Dreams’ evokes an almost overwhelming auditory experience, mimicking the sensation of a migraine.

Challenges and Rewards of Performance

While Lynch is not a performer by trade, he collaborated closely with skilled musicians. “John is a performer, and we had a killer band,” Lynch remarked. The experience of translating studio work to a live performance presented challenges for the director, who often saw himself as confined to the studio. Nevertheless, Lynch found immense creative satisfaction in the project.

Through *BlueBOB*, David Lynch demonstrates his unique ability to blend sound and vision. This album stands as a testament to his commitment to artistic exploration, further enriching the narrative landscapes of his films.