Discover the Charlatans New Release: We Are Love
After an eight-year hiatus, The Charlatans return with their new album, We Are Love. The record marks their 14th release and unfolds a rich atmosphere while staying true to the band’s signature sound.
Tim Burgess: A National Treasure
Frontman Tim Burgess has achieved a new level of recognition during the past few years. His Twitter Listening Parties provided much-needed comfort to fans during the pandemic. Additionally, he played a vital role in supporting key Manchester venues like Gorilla and the Deaf Institute as they battled to survive post-COVID.
A Journey Back to Rockfield Studios
We Are Love is notable for being the first album recorded at the iconic Rockfield Studios since the 1997 release of Telling Stories. That album was overshadowed by the tragic death of keyboardist Rob Collins. His spirit continues to influence the band, enriching the emotional depth of their music without becoming oppressive.
Album Highlights
- Kingdom Of Ours: The opening track features classic Charlatans keyboard sounds and a touching lyrical nod to Collins.
- We Are Love: This title track bursts with energy and includes a catchy guitar riff.
- For The Girls: An anthem with a sunny disposition set to resonate during live performances.
- You Can’t Push The River: This track introduces a soulful, almost gospel, vibe.
The album also presents a nostalgic nod to the band’s roots, particularly noticeable in Deeper And Deeper, which echoes the essence of their early work.
A Couple of Missteps
While overall enjoyable, some tracks, like Salt Water, feel more interlude than fully developed songs. Critics note that the album might lack the immediate hooks present in their previous hits such as One To Another and Love Is The Key.
The Charlatans: A Lasting Legacy
Despite these minor criticisms, We Are Love encapsulates The Charlatans’ commitment to crafting enduring music over their 30-year career. This new album is yet another testament to their ability to resonate with fans across generations.
