Elvis Producer Discusses ‘Joan of Arc’ and Karaoke with Hugh Jackman
Schuyler Weiss, a veteran producer, recently shared insights during a masterclass at an event linked to the Tokyo International Film Festival. He discussed the evolving challenges of filmmaking and the importance of storytelling, particularly in today’s uncertain climate.
Understanding the Role of a Producer
Weiss kicked off the session by addressing the role of a producer. He likened himself to a “cartoon sheepdog” that guides a creative team while remaining optimistic. His protective nature ensures that both the team and the artistic vision are safeguarded. Weiss underscored the delicate balance between art and commerce, asserting that neither can exist in isolation.
Career Journey and Notable Collaborations
Having begun his career at the Australian Film Television and Radio School, Weiss’ first job involved managing parking spaces in Sydney. His work on Baz Luhrmann’s “Australia” profoundly shaped his understanding of filmmaking, covering everything from script development to marketing.
A memorable experience during this time included late-night karaoke with Hugh Jackman, showcasing the camaraderie built during production. This passion led Weiss to pursue independent filmmaking in New York City.
Production Techniques in Musical Films
Weiss highlighted the preparation necessary for capturing musical performances, specifically for the film “Elvis.” The recording with lead actor Austin Butler began a year prior to filming in Australia. The production team opted not to capture live performances on set, focusing instead on pre-recorded music, which allowed for greater creative control.
This hybrid approach, blending original Elvis vocals with Butler’s voice, proved advantageous. Notably, Weiss emphasized the necessity of maintaining visual focus during performances, facilitating a smoother post-production process.
Dealing with Challenges during Production
Filming “Elvis” amid the pandemic presented unique hurdles, especially in recreating live performances. Innovative solutions, such as an antibacterial mouthwash station for extras, were devised to ensure safety. Weiss remarked on the unexpected benefits of working in isolation, leading to a focused and productive environment.
Future Projects and Original Storytelling
Looking ahead, Weiss is enthusiastic about a new project: Baz Luhrmann’s biopic “Joan of Arc.” Set against a backdrop of uncertainty in Hollywood, the film tells the story of a young girl navigating turmoil in her country. Weiss believes it is vital to return to original storytelling to capture contemporary audiences.
Pre-production is anticipated for next year, with filming projected to start in mid-2026. Negotiations with Warner Brothers are currently underway, as Weiss humorously suggested alternative routes if budget issues arise.
Trends in Cinema and the Future of Independent Films
Weiss shared his observations on the shifting landscape of film trends, noting a decline in the IP-dominant landscape of big franchises. He sees an opportunity for original stories to thrive during this transitional period. His commitment to working on projects throughout the Asia Pacific region reflects a broader ambition to engage with a global audience.
Encouraging Emerging Filmmakers
Weiss encourages new filmmakers to leverage democratized tools for storytelling. The barriers to entry in creating and marketing films have diminished significantly. He pointed out that filmmakers now have access to marketing resources comparable to major studios.
Ultimately, Weiss advocates for authenticity in storytelling, arguing that narratives steeped in cultural specificity resonate more deeply with audiences, much like successful content from Korean cinema and Australian productions.
