Dhurandhar and Uri Connection How One Name Ignited New Debate Over Links in Aditya Dhar’s Films

The release of the film ‘Dhurandhar’ on December 5, 2025, has stirred excitement among fans of director Aditya Dhar. Viewers are buzzing about a potential connection between ‘Dhurandhar’ and the filmmaker’s earlier hit, ‘Uri’ from 2019.

Dhurandhar and Uri: Unpacking the Connection

In ‘Dhurandhar,’ the protagonist is first introduced using the alias “Hamza.” Later, his true identity is revealed as Jaskirat Singh Rangi. This name has sparked intrigue, as it resembles a character from ‘Uri.’ In ‘Uri,’ a scene features a character mentioning her deceased husband, Captain Jaskirat Singh Rangi, who died in action during an ambush in the Naushera sector.

Speculation Among Fans

This shared name has prompted various fan theories regarding a possible link between the two films. Many viewers took to social media, expressing their excitement and speculating on the nature of this connection.

• Some fans suggest that the character in ‘Dhurandhar’ is the real Jaskirat Singh Rangi, who returned from a covert mission.
• Others proposed timelines where he infiltrated the underworld before rejoining the army and ultimately meeting his end in the Naushera operation mentioned in ‘Uri.’

The idea of a larger cinematic universe has enthralled fans. The filmmakers confirmed that a sequel is already in the works, set for release on March 19, 2026.

Critics Weigh In

Despite the enthusiasm, some critics remain skeptical. They argue that the timelines and themes of the two films do not align. While ‘Uri’ focuses on the 2016 surgical strike, ‘Dhurandhar’ appears to unfold over a different historical period.

• In ‘Uri,’ Jaskirat Singh Rangi is portrayed as a martyred Army officer.
• In contrast, ‘Dhurandhar’s’ Jaskirat is depicted as a criminal-turned-spy.

Many suggest that the shared name could simply be an Easter egg, a clever homage from Dhar to engage attentive viewers.

The Implications of a Possible Link

If the connection is indeed intentional, it could redefine how audiences perceive both films. ‘Dhurandhar’ may transcend being a standalone piece and become a pivotal part of the narrative leading into ‘Uri.’ This could encourage viewers to revisit both films, analyze characters further, and explore the underlying connections and motivations.

Even if the relationship remains speculative, this dialogue illustrates how a simple detail, like a name, can ignite extensive discussions among fans. The notion of interconnected narratives continues to captivate audiences eager for layers of storytelling in contemporary cinema.